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How "The White Lotus" Uses Color Grading to Capture Hawaii, Italy, And Thailand

Writer: Dan LalondeDan Lalonde

Updated: 8 hours ago



Each season of The White Lotus transports viewers to a luxurious, yet tension-filled paradise. A key element in creating these distinct atmospheres is color grading, which shifts to match the essence of each location.



Season 1: Hawaii – Warm and Sun-Kissed



The Hawaii season bathes in golden hues, with warm, natural lighting that enhances the lush greens and deep blues of the island. The grading leans into a slightly overexposed, sun-drenched look, reflecting the easygoing yet oppressive heat of the setting. This warmth contrasts with the show’s underlying darkness, making the tension between guests and staff feel even sharper.



Season 2: Italy – Rich and Cinematic





Set in Sicily, Season 2 adopts a more dramatic and refined grading style. The palette is richer, with deep terracotta, golden ambers, and soft pastels reminiscent of Renaissance paintings. Shadows are more pronounced, lending a more cinematic and mysterious feel, matching the season’s themes of seduction, power, and betrayal.



Season 3: Thailand – Vibrant and Mystical



Set in Phuket, the show shifts toward high-contrast vibrancy. Thailand’s tropical scenery is bringing in bold, saturated greens, glowing sunset oranges, and neon-infused nighttime scenes. This aligns with thethemes of spirituality and political unrest, creating a visually striking backdrop for this round of White Lotus drama.


Each season’s color grading isn’t just about aesthetics—it’s a storytelling tool that deepens the show’s psychological impact.





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Source: Dan Lalonde


Photo Credit: HBO

 
 
 

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